Whisky and Words Number 29: Bruichladdich Islay Barley 2009

We’re off the NAS train for a bit, coming back from the underwhelming Dalmore KA III, back at you with another Bruichladdich. I’ll do a little compare and contrast with the Bruich’ Scottish Barley, AKA Classic Laddie. Note, the Islay malt does have an age statement. On the bottle it states “Distilled in 2009, bottled in 2015. Aged 6 years in oak casks.” So, this has been sitting around in bottles for two years. Similarly, the currently available Islay Barley shown on the Bruich website is from 2010. (Oddly, where the 2009 is redundant stating the time spent in cask, the 2010 bottle is silent on that subject.) So, you wonder, how does a 6-year old stack up to the standards from other distilleries aged 10-12 years? We’ll see below. Let’s see what goes into making this whisky.

Click to expand, you can read their record of provenance.

First of all we have to recognize Bruichladdich as a distiller with an intense focus on how the whisky is made and from what. Not that other distillers are unfocused–I did visit a number of them this year–but these folks really take terroir to a fanatical level. My Islay Barley’s canister (photo alongside) boasts ‘Uber-provenance’ and names the Islay farms from which they sourced their barley. There is a lot of text about what was happening on the farms the year the barley was grown. It’s worth a read. We also find their credo on the canister, they “believe in Islay…in people..in authenticity provenance and traceability. We believe in slow.”

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Whisky and Words Number 28: Dalmore King Alexander III

KAIII box rear. Click for hi-res.

This whisky, the Dalmore King Alexander III (KA III forthwith) was a gift, and I am grateful for it. Especially as this retailed for over $300 when our local stocked it (it’s a state-owned store and they rotate brands, it is gone now). That price is definitely out of my ‘I’ll try it on a whim’ range. One wonders at the price, especially for a NAS whisky. What are we buying? There is a fancy box, as you can see (bottom of post), and all those flaps provide lots of inspiring verbiage:

  • A note on the box art, The Death of the Stag, a fine painting at the Scottish National Galleries (I saw it, an impressive painting indeed) on the right inner flap.
  • A note about the Dalmore Custodians, their loyalty program on the left inner flap.
  • Dalmore history, Dalmore’s general approach to marrying spirit, and KA III tasting notes (box rear).

So what does Dalmore bring to the party? Does this hyped-up NAS hold up?

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Whisky and Words Number 27: Bruichladdich ‘Classic’ Laddie

Known alternately as Scottish Barley and The Classic Laddie, this expression from craft-distiller Bruichladdich is a NAS whisky.

I have to admit a fondness for the place after having visited; I like their style. It was our last day on Islay, and after a busy morning walking from Port Ellen to Ardbeg (more on that later!) we decided to head out into the hinterlands for a drive. We took the road out to Port Charlotte, a tiny village at the end of which the A847 went from two lanes to one. That was all for me, I had had a bellyful of driving on tiny little roads and we headed back the way we came. Portnahaven would wait for next trip!

On the way back, we dropped by Bruichladdich. The distillery had been enthusiastically recommended to us by ‘Uncle Charlie,’ our taxi driver for the Bunnahabhain/Caol Isla visits (more on that later as well). I unfortunately was tired of photography so I have no photos, sad to say. Except this one, of some local creatures which had just scurried out of our way:

What, they think they own the road?
Just a dram, please.

It’s an interesting little place, a whitewashed structure and wall, through which you pass into an intimate little courtyard to park. The tasting room is through a brightly painted (turquoise) door, low-ceilinged, liberally provided with couches on which whisky overs lounged in quiet repose. There was the usual display of t-shirts, jackets and the like, and a wide bar where a kindly woman of mature years welcomed us gaily and immediately offered us a taste. Why, of course, why not? I expected the usual: “Here’s our standard, if you want more sign up for a tour.” But she led us energetically through tastings of four expressions (of which I took the tiniest sips, as I was still driving, grr.) We had the Classic Laddie, the Islay Barley (both unpeated), the Port Charlotte and Octomore (latter two peated). Note: though I growl about NAS whiskies, these all lacked an age statement and yet I enjoyed them all.

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Whisky and Words Number 26: Talisker Storm

 

Talisker Storm

This is the first of three straight NAS whisky reviews. I relented on Talisker’s Storm when the price came down, from over $55 locally (Oregon) to just under $50. The original price was not so obnoxious as some NAS whiskies — I tried a Dalmore King Alexander III recently, for example, which runs $305, and Ardbeg’s Corryveckan is about $90. But still, $55 is the range where you can get a nice 12-year-old.

The standard Talisker 10, one of my favorites, isn’t cheap of course, at about $65 locally, so the opportunity to fill the Talisker-sized hole in my liquor cabinet for fifty bucks was too good to pass up. So, how does the Storm compare? After all, it is a Talisker, and we have expectations: of light peat smoke, a unique medicinal nose, shades of wrack and seaweed, citrus and fruit.

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NAS Again…

Sure NAS whiskies get flack from whisky lovers. We consider the age statement a definitive mark of quality, care, and investment by the distiller. The distillers will come back at us with arguments that ‘no age statement’ expressions give them the freedom to pick the best casks, etc. But I have to think, if we as consumers roll over and accept this, we’ll be on the road to what wine has become. Manufactured. And there will be apologists for manufactured whisky as there are apologists for manufactured wine. Take the article in the New York Times by Bianca Bosker just last March. When I read it I was certain, until it concluded, that the piece was a tongue in cheek sendup. I mean, oak dust? Liquid oak tannin ‘(pick between “mocha” and “vanilla”)’ — really? Ms. Bosker promoted the idea that we should accept products designed by committee for easy drinking palates, further straining credulity. I do not exaggerate:

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